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2 thoughts on “Notes on Film Criticism (III): Prematurely Hostage to Our Coming Biographies”
[…] nothing, but I started pondering nothing—in the flesh—since very early on. Perhaps it was when I got lost at the beach, or when my brother was born and I stopped eating, or during the lunch breaks at primary school in […]
[…] I’ve adapted from Sigmund Freud’s ‘family romance’: one of those concepts—like that of trauma—that I understood in the flesh, much earlier than encountering it in […]